DANCING WITH AUDIO GUIDES
DANCING WITH AUDIO GUIDES
NABA 2.0 (short for NA-BA'OZEN) is an evening-length work designed and performed with the use of Audio Guides. Continuing our search for creating communicative dance works, ones that engage all senses, we have investigated the tools for widening the range of dance audiences.
The Audio Guide as a mediator brings together all the elements through which audiences connect: personal involvement, personal choice and decision making, heightened audio-visual stimulation, invitation for dialogue and personal expression.
Each viewer is handed a specially pre-programmed audio guide with headphones (provided by our partner Espro Information Technologies). The device is loaded with numbered audio tracks. According to instructions on-stage (using specially designed signs) the audience can choose a track (for instance, "to listen to information about Idan press #1" etc.). The sound comes exclusively from the headphones, as opposed to outside speakers, allowing – upon their choice- for two viewers sitting shoulder to shoulder, to simultaneously listen to different tracks.
Dance is based on four elements: movement, performers, space and sound. In NABA the audience becomes the exclusive director of the sound aspect, through which he directly affects all other elements. Everything he hears on the soundtrack colors his entire experience. He becomes a co-creator.
Costumes: Inbar Nemirovsky
Sound Design: Dudi Sofer.
Audioguides by Espro Technologies LTD.
Original Cast: Inbar Nemirovsky, Gil Kerer, Einat Betzalel, Idan Porges.
Premiered at Curtain Up Festival 2010.
Private I’s investigates the boundaries of masculinity, and the forces that operate on the male body, while borrowing from different cultures and modalities. The movement language is infused with different inspirations, from martial arts to slapstick, from Hollywood to Cabaret, while counterbalancing it with the mundane “every day” gestures of male bonding.The original music by Noam Inbar and Adam Scheflan reacts to music from different cultures praising the hero warrior, be it the man in the jungle, or James Bond.
The work is available both with live music and with recorded music.
Original Cast: Uri Shafir, Ofir Yudilevitch
Original score : Noam Inbar, Adam Scheflan
Costumes : Hagit Abir
Artistic Advisor: Renana Raz
Rehearsal Director: Sharon Zuckerman-Weiser
Premiered at Curtain Up Festival 2012.
ARMED investigates personal space and the all-too-often invasion Into it, that we experience in Israel. It suggests a different, perhaps more critical, interpretation to what we have come to think of endearingly as warmness, and asks the question of what happens to us (physically/psychologically and socially/ politically) when we consider the notion of borders as fluid, or when we take ownership of what is not ours to have.
Original Cast: Uri Shafir, Adi Boutrous, Ayala Frenkel, Inbar Nemirovsky
Rehearsal Director: Inbal Yaacobi
Lighting: Uri Morag
CHOREOGRAPHIC BLIND SPIN DATING
CHOREOGRAPHIC BLIND SPIN DATING
PROJECT 48 DANCE invites choreographers, dramaturgs, dancers and other Artists to two 24 hour "speed-spin-blind-dates" culminating in 10 one-time-only dance works.
The project was inspired by preceding projects in Film, Theater and Architecture, and is the first of its kind in Dance.
The game consists of two 24 hour "rounds" of creation: An initial raffle determines the creative teams. Each group comprises of a choreographer, a "Second Eye" (Dramaturg/Director/Dance Researcher) and a varying number of dancers. Next, the parameters for creation are drawn. These include spatial and thematic constrictions/challenges. From then until the public showcase, each team has 24 hours to create a Dance work to be performed live.
The rehearsal project is documented by a photographer and videographer. Videos from the rehearsal studios will be streamed live, and the still images will be showcased for the audience pre-show in a "Pop-Up Exhibition".
Now more than ever we encounter our need for community. We experience it in our lively activity in social networks as well as the growing social discourse around us. We are thirsty for dialogue with one another towards some common interest.
Artistically speaking, when there is no community, competition takes its place. Competition breeds seclusion, and each artist finds him or herself "entrapped" in the familiar. Here, the element of chance and the short process pushes towards new combinations of artistic forces to occur, and creative blocks to be smashed. Each of the "players" can safely peek out - or completely leave behind - their comfort zone and re-imagine his or her range of exploration for these two days.
Artistic Director: Dana Ruttenberg
The fifth edition will take place as part of the Batsheva Hosts series and in collaboration with Kibbutzim College. Get your tickets: October 26-27, 2017.
A trio inspired musically by J.S.Bach's Chaconne in D Minor and thematically by the concept of optical illusions. The piece reacts to the structure of theme and multiple variations in which the Chaconne was composed, the meditative-obsessive repetition of its base line, the repeated harmony and its representation in dance. Just as visual multi-stability can be evoked by visual patterns that are too ambiguous for the human visual system to recognize with one unique interpretation, the idea is for the piece to create the trigger for viewers to use their innate perceptual organization to make sense of the visual and musical stimuli. POLY has three casts, one of all female dancers, one of all male dancers and one mixed cast.
Originial casts: Shaked Dagan, Reut Shatz/Ofir Yudilevitch, Oshrat Banon/Uri Shafir
Music: J.S. Bach - Partita for Violin No. 2 (Chaconne in D Minor)
A “solo for two performers” examining loss and memory as integral parts of the creative process. The accompanying text is a reading of Samuel Beckett’s “Text for Nothing #8”, part of a series in which the writer sums up his philosophy of art through the spoken voice of the text itself. Beckett’s text brings to question man’s ability to locate himself within the cosmos or time, in a nightmarish vertigo of identity and self. Dance as an art form deals constantly and unavoidably with memory, as it exists only in the present and in the way it is carved into memory. The act of moving, as opposed to painting, involves memory in its vey core. every movement is “lost” a mere moment after its execution. The work presents two characters in mourning, as the dive into memory in different, yet colliding, ways. Images from the Israeli/Jewish rituals of memory (the memorial day siren, the candle of memory) intertwine with old family footage, and a personal text naming all those things that are lost forever.
Original Cast: Dana Ruttenberg, Ayala Frenkel
Music: Sergei Rachmaninoff, Samuel Beckett’s “Story for Nothing” #8
Premiered at IntimaDance Festival 2012.
Curated by Dana Ruttenberg, SERET NA was a weekend of Dance, Film and everything in between.
Ruttenberg turned the space into a cinema, in which througout the weekend there were screenings of Dance Films, Artist Panels, an exhibition of Dance Video Art, interactive Dance Consoles, screening of rare historical footage from the Israeli Dance Library, and Silent Dance film events for adults and children alike.
September 26-28th, 2013.
God Forbid is an autobiographic performance work by Dana Ruttenberg and Noa Mark-Ofer, performed by Noa.
The performance is based on Noa Mark-Ofer’s true story. Apart from being a dancer, a curator and a juggler of many other roles, Noa is also a mother that one day learned that her baby son is very sick. Noa's appearence can be a "deceptive". Upon meeting her, you can't help but ask yourself if she is what you had in mind when you thought of a "mother of a sick child". What DID you have in mind, by the way?
This is the unexpected natureof God Forbid. It travels through scenes taken from her particular experience, situations taken out of context and "re-planted" into familiar yet surprising worlds. An interview with a special-needs nanny becomes an impassioned TED talk, while the process of preparing medication for her son fast becomes a TV reality cooking show. Humor and irony spice each of the scenes because, as the song goes, “A spoonful of sugar helps the medicine go down.”
During the performance, the audience are invited to participate in different ways and become an inseparable part of Noa’s world. They are the doctor sitting across the table, they are her son and daughter, and at times they even become Noa herself. The performance space becomes a topographical and psychological map of her cosmos comprising obstacle courses, medical corridors, physical rooms and inner chambers of the heart that. In a new language full of words that are unpronounceable (she is already an expert, we are still novices), a treasure trove of human explosives is revealed. This is an autobiographical strip-tease. Flirtatious, exposing, inviting, empowering, exhausting.
And it is everything you didn't expect to encounter. Or want to.
Dana is the co-founder of ScreensArt, a production company devoted to dance fims and dance video art works. You can read more about it at www.screensart.com.
"Glove Story" is the second collaboration between choreographer Dana Ruttenberg and director Oren Shkedy.
The film explores the notion of personal space and the all-too-often invasion into it. It asks the question: what are the psychological, physical and social repercussions of treating bordersasmere suggestions? This question echoes much stronger in the local political climate of our region and of our times. The film follows four characters through a series of hyper-realistic topographies and architectural settings in which, like in Sartre's “No Exit”, individuals are one another's heaven or hell. The gloves are the recurring object, a thin line of protection – which also gives its wearer “permission” to penetrate another's space unharmed.
Director of Photography: Ram Shweky
Cast: Adi Boutrous, Ayala Frenkel, Inbar Nemirovsky, Uri Shafir, Riki Blich, Ohad Knoller.
Glove Story received support from The Israeli Lottery Council for Arts and Culture.
FESTIVALS AND AWARDS
dotdotdot Festival, Vienna, 2016
Rollout Macao, 2016
move! - 14 Krefelder Tage fur Modernen Tanz, Krefeld, Germany, 2016
JCC, New York, 2016
Sinema Dans Anakara, 2015
ETAT Forum, Taiwan, 2015
Rathaus Platz Festival, Austria. 2014, 2015
IDN Festival, Barcelona, 2015.
Dance Camera West, USA. 2015.
NU2S Festival, Spain. 2015.
LODO Festival, Argentina. 2015.
Romanian Architecture Annual, Romania. 2015.
ETAT Forum, Taipei, Taiwam. 2015
JCC New York, USA. 2015.
FIVER Festival, Spain. 2015. Winner of Creation Award.
Athens Video Dance Project, Greece. 2015.
InShadow Festival, Portugal. 2014.
Loikka Festival, Finland. 2014.
San Francisco Dance Film Festival, USA. 2014.
POOL Festival, Berlin. 2014.
The film follows the construction, eruption, corruption and destruction of the masculine self and other. It investigates the boundaries of masculinity, and the forces that operate on the male body, while borrowing from different cultures and modalities. The movement language can be traced to traditional forms and concepts integral to martial arts. It translates it into a contemporary individualized expression in different ways, while counterbalancing it with the mundane “every day” gestures of male bonding.
Director of Photography: Ram Shweky
Cast: Uri Shafir, Ofir Yudilevitch
FESTIVALS AND AWARDS
Agite y Sirva, Mexico, 2012
FIVC Festival Internacional de Videodanza de Chille, 2012. + International FIVC tour, Buenos Aires, 2012.
International Screendance Festival, USA, 2012. Winner of Award of Distinction.
Jumping Frames International Dance Video Festival, Hong Kong. Winner of Outstanding International Dance Video Award. 2012.
Quinzena de Danza de Almada Festival, Portugal. 2012.
POOL Festival,Berlin, 2012.
Video Movimiento, Colombia, 2012.
Columbus International Film and Video Festival, Ohio USA, 2012. Winner of Honorable Mention Award.
Dance Camera Istanbul, Turkey, 2012.
Dance on Camera Festival, New York, 2013.
NU2 IDN Festival, Barcelona, 2013.
Israeli Contemporary Dance Week, La Mama Theater, New York 2013.
LOIKKA Dance Film festival, Helsinki, 2013.
La Maison, de la cave au grenier, Montreal, 2013.
Dance Camera West, Los Angeles, 2013. Winner of Audience Choice Award.
In The Palace, Sofia, Bulgaria. 2013. Special Mention.
Tallahassee International Exhibition, winner of first place, 2013
Danca em Foco, Brazil, 2013
Seret Na, Tel aviv, Israel, 2013
InShadow Festival, Lisbon, 2014
Swiss Dance Collection, Switzerland, 2014
Dance for Reel, Atlanta, Usa, 2014
Rathausplatz Festival, Vienna, 2014-2015
Choreoscope Festival, Barcelona, 2015
Acco Theater Festival, Acco, Israel 2016
Ignite Festival, New Delhi, India 2016
Tanz im Winterthur, Switzerland 2016
In an underground hall, a dream team convenes: a six-month pregnant dancer, a man in his sixties, a physical therapist who hasn’t performed in a decade, a dancer at the height of his early career and one choreographer.
In the intimate space, all their dreams and nightmares about life are conjured up: life on stage and behind it. Everything that has gathered, everything that has expired, everything that will never come true, are stirred into one sweet and sour cocktail.
It is a sober, humoristic and heartfelt look at the fantasies that allow us to travel through time and space - forward into the future or back into the past.
The show is based in the present circumstances of its performers. These will pass, yes, life passes by, and so will the show: “Dream Team” will present for one week and then disappear never to return again. It, too, will become a mere memory.
The Dream Team: Neil David Hariss, Inbar Nemirovsky, Reut Shatz, Gilad Jerusalmy, Dana Ruttenberg
Space Design: Zohar Shoef
Light Design: Nadav Barnea
Costumes: Adi (Didoo) Sharabi
Production: Anava Ben-Zvi